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Mouse Celebrates the Winter Solstice - ON SALE
Format: Paperback
Grade Levels: Preschool; Kindergarten; 1; 2; 3; 4; 5; 6; 7; 8; 9; 10;

It is winter. The land lies still, quiet and stark beneath a blanket of snow. The tiny footprints of a mouse can be seen in the light of the moon.

"Wrapped in the quiet, and there in the bleak, there stood a wise mouse, preparing to speak."

The words that mouse chose were from many years past. She spoke them into the cold night air. So begins the enchanting story of a very special Winter Solstice celebration.

Kwakwaka’wakw author Terri Mack and Tsimshian artist Bill Helin have collaborated to bring us this story of strength, friendship and celebration. The lyrical text and engaging illustrations will appeal to readers of all ages.

Author's note:
Gila'kasla!
I spent a year writing and rewriting this poem to be sure to convey the message clearly to my audience. It was important to me that the poem reflect the importance of us all joining together to find the sacredness in celebration, the joy of belonging within a greater community and the voice of determination inside of each of us. Inspired by Indigenous Peoples rising, healing and joining together I hope that this poem inspires our youth to be strong and determined in all their future goals.
~Terri Mack

Additional Information
24 pages | 9" x 12" | ISBN: 9781771740555

Authentic Canadian Content
Authentic Indigenous Text
Authentic Indigenous Artwork
$7.48

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A Casual Reconstruction
Format: Paperback
Text Content Territories: Indigenous Canadian;
Grade Levels: University/College;

A Casual Reconstruction explores open conversation to examine the relationship between language, identity and human connection. Driven by the desire to have an honest discussion about Indigenous identity/mixed identity, artist Nadia Myre invites viewers on an intimate journey to probe the meaning of cultural distinctiveness. The interweaving of video projection and audio narratives serves as an intriguing rumination in understanding the meaning of belonging and the importance of the art of listening.

Additional Information
32 pages | 9.75" x 7.50"

Authentic Canadian Content
Authentic Indigenous Text
$20.00

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A Warrior I Have Been: Plains Indian Cultures in Transition
Authors:
Format: Paperback
Text Content Territories: Indigenous American; Indigenous Canadian;

This catalog of museum exhibitions traces the evolution of Plains Indian art and culture from early times to the present and includes material from a wide range of tribal groups. A wonderful reference source for anyone interested in learning about the Plains Indian lifestyle.

$35.95

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Arts & Crafts of the Native American Tribes
Authors:
Format: Hardcover
Text Content Territories: Indigenous American; Native American;

Arts and Crafts of the Native American Tribes is an authoritative illustrated reference that has been carefully created to be a companion to Encyclopedia of Native Tribes of North America, not a competitive title. It examines in detail how Native American culture evolved and considers the regional similarities and differences of the arts and crafts created by tribes across the continent. Contemporary and modern photographs, fine line illustrations and step-by-step reconstructions (including a Plains Indian warrior dress with headdress, war bonnet, shirt and leggings) show the techniques of manufacture and display the skill and artistry of the crafters.

The book opens with concise coverage of the main cultural areas of North America and a survey of styles by region and over time. A major section on the living structures -- huts, tipis, igloos, etc. -- is followed by an analysis of individual crafts. These include:

- Baskets -- plaiting, twining, coiling
- Bone, antler and horn -- implements, tools, pins, fishhooks
- Decorative arts -- beadwork, porcupine quillwork
- Featherwork -- bonnets and headdresses
- Metalwork -- copper, silver, iron, gold
- Pottery
- Shellwork
- Skinwork -- rawhide, leather, furs
- Stonework -- arrowheads, pipes, art
- Textiles -- spinning, weaving

Woodwork -- totems, figures, masks, utensils, working with bark.
Arts and Crafts of the Native American Tribes is destined to be a primary reference used by ethnographers, historians and collectors for years to come. It is essential for any library serving academic patrons.

$49.95

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Astonishing Women Artists
Authors:
Format: Paperback
Grade Levels: 4; 5; 6; 7;

The newest addition to the acclaimed Women's Hall of Fame Series profiles ten phenomenal women with a passion for art. Political, beautiful and always springing from the heart, the paintings and sculptures of these creative trailblazers have made the world a better place, and encouraged generations of female artists to do the same. Discover the lives of women artists from the 16th century to the present day, such as the early feminist Artemisia Gentileschi, the adventurous Emily Carr, the flamboyant Frida Kahlo and the brilliant Georgia O'Keefe. These biographies are written in an accessible, engaging and entertaining style that will inspire young readers to have the courage to explore their own creative sides.
Ages 7-9

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$10.95

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Beaded Earrings: Techniques & Designs
Format: Paperback
Text Content Territories: Indigenous American; Native American;

Today beaded jewelry such as bracelets, necklaces, and earrings are still extremely popular, especially those made in a Native American style. Using Beaded Earrings, readers can learn a craft that has delighted humankind for generations. This simple, concise guide contains easy-to-read, step-by-step instructions to teach techniques to both beginners and beading experts. Readers are taught twelve basic patterns that can be combined to make more than thirty-five different kinds of earrings. Instructions are also included on how to create one-of-a-kind designs. Beaded Earrings includes page after page of full-color illustrations that show how to make many different styles of traditional Native American earrings, including basic dangle variations, as well as Brick Stitch, Gourd Stitch and Bugle Bead. The techniques learned here can be applied to necklaces and other types of jewelry, as well. Instructions come complete with recommendations on the types and amount of beads and supplies to purchase and a list of practical suggestions to help readers avoid common frustrating errors.

Authentic Indigenous Text
$13.95

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Beadwork Techniques of the Native Americans
Authors:
Format: Paperback
Text Content Territories: Indigenous American; Native American;
Grade Levels: 8; 9; 10; 11; 12; University/College;

This book is in a class by itself. Featured are dozens of full-color photos of both Indian and in-Indian made beadwork from museums, collections and today's marketplace. Instructions are accompanied by large, highly detailed, step-by-step color photos and illustrations. Four styles of beadwork are covered: loom, two needle applique, lazy stitch, and the gourd (peyote) stitch. Presenting both basic and advanced techniques, the author also includes detailed instructions on how to make and bead moccasins.

$25.95

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Beau Dick: Devoured by Consumerism
Format: Hardcover
Grade Levels: 10; 11; 12; University/College;

Accompanying an exhibition of Beau Dick’s work, this beautifully illustrated volume distills his powerful argument against our unsustainable way of living.

"With this body of work, Beau intended to launch his most overt critique of a system that he knew was unsustainable, in favour of a return to the cultural values of his people, and his profound generosity compelled him to share these values as widely as possible." - LaTiesha Fazakas

Beau Dick (1955 - 2017) was celebrated far beyond his hometown of Alert Bay, B.C., for both his political activism and his creation of striking, larger-than-life carved masks inspired by the traditional stories of the Kwakwaka'wakw. Dick's multi-faceted engagement with Kwakwaka'wakw culture included carving (which he learned from Northwest Coast artists such as Henry Hunt, Doug Cranmer, and Bill Reid), storytelling, and dancing.

As a high-ranking member of Hamat'sa, the prestigious Kwakwaka'wakw secret society centred on the story of a ravenous, man-eating spirit, Dick drew on all these art forms to create regalia for and participate in elaborate ceremonies that enacted Kwakwaka'wakw cosmology. Devoured by Consumerism shares nearly two dozen of these masks: vivid, unforgettable creations, made with traditional and contemporary methods and materials, depicting figures like Cannibal Raven, Nu-Tla-Ma (Fool Dancer), and Bookwus (Wild Man of the Woods).

Texts by LaTiesha Fazakas, John Cussans, and Candice Hopkins outline the stories that the masks depict, consider the inescapable parallels between Hamat'sa and the consumerism of capitalist society, and grapple with the philosophy that animates Hamat'sa - one that seeks to confront and, ultimately, master the voracious appetites inside us all.

Educator Information
A useful book for the study of art and culture.

Devoured by Consumerism is Beau Dick's aesthetic response to Western capitalist values and an overt critique of the unchecked commercialism of capitalist society. The intention with this hardcover publication is to contrast the Kwakwaka'wakw economic and legal system of potlatching, which also functions as a way of maintaining and preserving oral history, again Western society's system of capitalism. The book references the Hamat'sa ceremony during potlatch, wherein the Hamat'sa cannibals' insatiable hunger and consumption is 'tamed' ritually through the dance. The power to control one's hunger is considered much greater than the power of hunger itself. This book works to critique the West's ravenous need to devour and consumer by presenting works that highlight this Kwakwaka'wakw worldview. 

Additional Information
96 pages | 8.00" x 9.00" 

 

Authentic Canadian Content
Authentic Indigenous Text
Authentic Indigenous Artwork
$30.00

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Becoming Our Future: Global Indigenous Curatorial Practice
Format: Paperback
Grade Levels: University/College;

This book investigates international Indigenous methodologies in curatorial practice from the geographic spaces of Canada, Aotearoa (New Zealand) and Australia. From a perspective of Indigenous peoples important place within society, this collection explores how Indigenous art and culture operate within and from a structural framework that is unique and is positioned outside of the non-Indigenous cultural milieu.

Through a selection of contributions, Becoming Our Future articulates this perspective, defines Indigenous curatorial practice and celebrates Indigenous sovereignty within the three countries. It begins to explore the connections and historical moments that draw Indigenous curatorial practices together and the differences that set them apart. This knowledge is grounded in continuous international exchanges and draws on the breadth of work within the field. Contributors include Nigel Borell, Nici Cumpston, Freya Carmicheal, Karl Chitham, Franchesca Cubillo, Léuli Eshraghi, Reuben Friend, Heather Igloliorte, Jaimie Isaac, Carly Lane, Michelle LaVallee, Cathy Mattes, Bruce McLean, Lisa Myers, Julie Nagam, Jolene Rickard, Megan Tamati-Quennell, and Daina Warren.

Educator Information
Becoming our Future: Global Indigenous Curatorial Practice is a co-publication based on the three-year Tri-Nations International Indigenous Curators' Exchange, and was a joint initiative between the Australia Council for the Arts, Canada Council for the Arts and Creative New Zealand. It features artists and the curatorial perspectives of Indigenous curators from Canada, Australia and New Zealand.

Additional Information
228 pages | 6.25" x 9.25"

Authentic Canadian Content
Authentic Indigenous Text
$35.00

Coming Soon
Bill Reid and the Haida Canoe
Editors:
Format: Paperback
Text Content Territories: Indigenous Canadian; First Nations; Haida;

Northwest Coast peoples were maritime engineers who mastered the art of building dugout canoes from gigantic red cedars, using only tools made from bone, stone, and wood. Ubiquitous, these elegant craft were used for everyday and ceremonial purposes, for fishing, hunting and trading, for feasting and potlatching, and in warfare—they were the keys that unlocked the treasure chest of the North Pacific.

Bill Reid and the Haida Canoe tells the story of the Northwest Canoe from its zenith in pre-contact times, through its decline in the late nineteenth century, to its revival in Lootaas (Wave Eater) which Bill Reid built for Expo '86, to its culmination with the Tribal Canoe Journeys of the twenty-first century and The Spirit of Haida Gwaii sculptures. Bill Reid expressed awe for the traditional Haida canoe and what it represents visually, symbolically, and culturally. In his words, "Western art starts with the figure—West Coast Indian art starts with the canoe."

The successive journeys of Lootaas were significant stages in Bill Reid's work, which culminated with the iconic sculpture The Spirit of Haida Gwaii, a monumental bronze canoe filled to overflowing with creatures of Haida mythology (currently featured on the Canadian twenty-dollar bill). As a final creative act Bill Reid requested that, at the end of his life, his ashes be transported in Lootaas paddled by a crew of his Haida friends and relatives to Tanu, his grandmother's village in Gwaii Haanas.

The story is told through writings and artworks by Bill Reid, vivid photographs by Phillip Hersee, Ulli Steltzer, Robert Semeniuk and others, texts by James Raffan, Martine J. Reid, and Mike Robinson and first-hand accounts by First Nations paddlers.

Bill Reid and the Haida Canoe is a companion book to the Bill Reid and the Haida Canoe exhibition mounted by the Bill Reid Gallery of Northwest Coast Art and touring to the Canadian Canoe Museum in Peterborough, Ontario.

Authenticity Note: Because of this work's contributions of writings and artworks from Bill Reid and other First Nations peoples on Indigenous topics, it has received the Authentic Indigenous Text and Authentic Indigenous Artwork labels.

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Authentic Indigenous Artwork
$29.95

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Blackfoot Craftworker's Book
Format: Paperback

This collection of photos of traditional accessories, clothing, cradleboards, utensils, and more is a look at Blackfoot material culture at its finest. History of the styles, descriptions of techniques and materials, and information about daily and ritual use of many of the items are included.

Authentic Canadian Content
Authentic Indigenous Text
$15.95

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Blanket Toss Under Midnight Sun: Portraits of Everyday Life in Eight Indigenous Communities
Format: Paperback
Text Content Territories: Indigenous Canadian; First Nations; Inuit; Métis;

A revelatory portrait of eight Indigenous communities from across North America, shown through never-before-published archival photographs--a gorgeous extension of Paul Seesequasis's popular social media project.

In 2015, writer and journalist Paul Seesequasis found himself grappling with the devastating findings of Canada's Truth and Reconciliation Commission report on the residential school system. He sought understanding and inspiration in the stories of his mother, herself a residential school survivor. Gradually, Paul realized that another, mostly untold history existed alongside the official one: that of how Indigenous peoples and communities had held together during even the most difficult times. He embarked on a social media project to collect archival photos capturing everyday life in First Nations, Metis and Inuit communities from the 1920s through the 1970s. As he scoured archives and libraries, Paul uncovered a trove of candid images and began to post these on social media, where they sparked an extraordinary reaction. Friends and relatives of the individuals in the photographs commented online, and through this dialogue, rich histories came to light for the first time.

Blanket Toss Under Midnight Sun collects some of the most arresting images and stories from Paul's project. While many of the photographs live in public archives, most have never been shown to the people in the communities they represent. As such, Blanket Toss is not only an invaluable historical record, it is a meaningful act of reclamation, showing the ongoing resilience of Indigenous communities, past, present--and future.
 
Reviews
“A revelatory work of astonishing grace, Blanket Toss Under Midnight Sun encapsulates an invisible generation brought to glorious life. So many times, the subject could have been my auntie, cousin or grandmother. When people ask why I live on the rez, I’ll point them to this book, this stunning reclamation of narrative, which so movingly shows the love of place, community and self.” —Eden Robinson

“Paul Seesequasis's Blanket Toss Under Midnight Sun is a wonderful collection of found photographs and recovered histories that link us to a past as old as the land and as precious as breath.” —Thomas King, author of The Inconvenient Indian

Additional Information
192 pages | 7.08" x 9.03" | Colour photos throughout


Authentic Canadian Content
Authentic Indigenous Text
$32.95

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Breaking Boundaries: LGBTQ2 Writers on Coming Out and Into Canada
Editors:
Format: Paperback
Grade Levels: 10; 11; 12; University/College;

An anthology of stories and poetry written by Canadian LGBTQ2 authors who are immigrants, refugees, or Canada-born.

“What does it mean to be LGBTQ2 in Canada? The only possible answer to that question is one given in many voices. That is exactly what this book offers. There is struggle in these stories and poems, but there is also strength and resilience, compassion and determination. Woven together these voices leave me with a sense of hopefulness: a belief that the creativity and fierce commitment of our community will carry us forward as we work to create a Canada that lives up to the dream of freedom and safety it represents to so many people around the world.” — Robin Stevenson, author of Pride: Celebrating Diversity and Community

Review
The anthology pieces are diverse with authors who identify as Lesbian, Gay, Bisexual, Transgender and 2-Spirited. It also includes stunning artwork by LGBTQ artists and allies. — Rainbow Refugee Society

Authors & Artists
Authors in this anthology include Teryl Berg, Kyle Chen, Wendy Judith Cutler, Corrie Hope Furst, Kevin Henry, Anne Hofland, Chantal Hughes, Masaki Kidokoro, Dale Lee Kwong, Austin Lee, JL Lori, Eka Nasution (narrator), Adam Nixon, Rainer Oktovianus (narrator), Gail Marlene Schwartz, Caelan Sinclair, LS Stone, Sosania Tomlinson, E.T. Turner, and Hayley Zacks.

Artwork by Joni Danielson, Wokie Clark Fraser, Austin Lee, Trinity Lindenau, and Rainer Oktovianus.

Additional Information
146 pages | 6.00" x 9.00"
Edited by Lori Shwydky

This book contains memoirs, stories, poems, and artwork, which is why it appears in a variety of categories, such as both Fiction and Non-fiction, on our website.

Authentic Canadian Content
$13.95

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Canoe Crossings: Understanding the Craft that Helped Shape British Columbia
Authors:
Format: Paperback
Text Content Territories: Indigenous Canadian; First Nations;
Grade Levels: 11; 12; University/College;

“A comprehensive and well-informed review of canoeing and kayaking in British Columbia.” —BC Studies

Often called one of the Seven Wonders of Canada, the canoe has played a particularly important role in British Columbia. This seemingly simple watercraft allowed coastal First Nations to hunt on the open ocean and early explorers to travel the province’s many waterways. Always at the crossroads of canoe culture, BC today is home to innovative artists and designers who have rediscovered ancient canoe-building techniques, as well as community leaders who see the canoe’s potential to bring people together in exciting, inspiring ways.

The story of Canoe Crossings begins some fifteen thousand years ago, when, as compelling new evidence suggests, the first humans to reach the Americas did so by canoe down the West Coast. It continues through the centuries, chronicling the evolution of the canoe and its impact on the various people who used it to explore, hunt, trade, fight, race, create, and even heal. The book contains dozens of stories of colourful, passionate people who have contributed to the province’s canoe culture, including a teenager who lived ninety feet up in a tree house while designing and building the world’s longest kayak; a group of high school students who practised on a tiny lake and went on to win several World Dragon Boat Championships; and at-risk Aboriginal youth who reconnected with their traditional culture through annual “big canoe” trips.

Canoe Crossings will appeal to anyone who has ever sought adventure, found solace, or seen beauty in a canoe or wondered about the origins of its design and use in British Columbia and beyond.

Reviews
“The canoe is a threshold vessel—a skin, a fabric, and some bark between water and sky. Floating is some kind of miracle, some kind of dream. All canoeists are dreamers to a degree. As you will see in Canoe Crossings, the canoe has always brought diverse groups of people together, both for joy and for common purpose, and it always will." —from the foreword by Shelagh Rogers

 
"Nobody has done a better job of connecting the 'canoe dots' on the Northwest Coast and BC's interior waterways than Sanford Osler. His lifelong interest in canoe travel, canoe design, and canoe personalities enthuses Canoe Crossings with both wisdom and generosity of spirit. His book is a 'j-stroke' in prose." —Michael Robinson, Director, Bill Reid Gallery of Northwest Coast Art

"An important and substantial contribution to canoe literature and to the significance of this watercraft in BC. The blend of history, present-day, and personal accounts is sensitively and fascinatingly presented. A highly informative and captivating read." —Käri-Ann Thor, President, Recreational Canoeing Association of British Columbia
 
"Canoe Crossings is not just about the canoe, but about the many people throughout history to the modern day whose existence and livelihood depend on this noble craft. Sanford Osler brings their passion for paddling to life. If you have ever held a paddle in your hand, you should read this book." —Bob Putnam, Deep Cove Canoe and Kayak

Additional Information
192 pages | 5.50" x 8.50"

Authentic Canadian Content
$19.95

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Caribou Skin Clothing of the Iglulik Inuit
Authors:
Format: Paperback

Caribou Skin Clothing of the Iglulik Inuit outlines the various steps involved in the creation of traditional Inuit caribou skin clothing, namely the hunt, preparation, and sewing.

In addition to diagrams and practical instructions, this book is filled with historical information and insights from Elders of the Iglulik region.

Meticulously researched by former Arctic resident and anthropologist Sylvie Pharand, this book can be used as a practical guide to creating caribou skin clothing, as well as a general-interest text for those interested in traditional skin clothing.

Authentic Canadian Content
$29.95

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