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Graphic Novels

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7 Generations Book 1: Stone
Format: Paperback
Grade Levels: 9; 10; 11; 12;

Stone introduces Edwin, a young man who must discover his family's past if he is to have any future. Edwin learns of his ancestor Stone, a young Plains Cree man, who came of age in the early 19th century. Following a vision quest, Stone aspires to be like his older brother, Bear, a member of the Warrior Society. But when Bear is tragically killed during a Blackfoot raid, Stone, the best shot and rider in his encampment, must overcome his grief and avenge his brother's death. Only then can he begin a new life with his bride, Nahoway. It is Stone's story that drives Edwin to embark on his own quest.

Stone is the first book in the graphic novel series, 7 Generations. Forthcoming books in this series are:
Book 2: Scars, the story of the orphan White Cloud, set against the smallpox epidemic of 1870-1871.
Book 3: Ends/Begins, the story of Edwin's father, and the residential school saga.
Book 4: The Pact, a story of redemption, as father and his son reconcile their past and begin a new journey.

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$13.95

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7 Generations Book 2: Scars
Format: Paperback
Grade Levels: 9; 10; 11; 12;

The year is 1870, and the last great smallpox epidemic is sweeping the prairies. After witnessing the death of his entire family, White Cloud, a young Plains Cree boy, summons the strength to deliver himself from the terrible disease and journey to a new home. Readers also reconnect with Edwin, a lost young man on his own quest who must summon his own courage and travel to confront the main source of his own despair. Scars is Book 2 in the graphic-novel series 7 Generations, which follows the story of one Aboriginal family from the early 19th century to the present day.

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$13.95

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7 Generations Book 3: Ends/Begins
Format: Paperback
Grade Levels: 9; 10; 11; 12;

In 1964, two brothers are taken from the warm and loving care of their grandparents, and spirited away to a residential school, miles from home. James, assigned to manual work on the grounds, sees less and less of his younger brother, Thomas. James soon discovers the anguish that Thomas is living under, which leads to unspeakable tragedy. The pain and guilt that dogs James continues to affect his troubled son, Edwin (introduced in book 1). But a new understanding is dawning between them... Ends/Begins is book 3 in the graphic novel series 7 Generations. Other books in this series: Book 1: Stone tells the story of a young Plains Cree man in the early 19th century, who fulfills his destiny as a warrior as he avenges his brother's death.

Book 2: Scars, the story of the orphan White Cloud, set against the smallpox epidemic of 1870-1871.
Book 4: The Pact (forthcoming), a story of redemption, as James and his son, Edwin, reconcile their past and begin a new journey.

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$13.95

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7 Generations Book 4: The Pact
Format: Paperback
Grade Levels: 9; 10; 11; 12;

As the pain and loss of James's residential school experiences follow him into adulthood, his life spirals out of control. Haunted by guilt, he is unable to maintain a relationship with Lauren and their son Edwin. Edwin, mired in his own pain, tries to navigate past the desolation of his fatherless childhood. As James tries to heal himself he begins to realize that, somehow, he may save his son's life – as well as his own. When father and son finally meet, can they heal their shattered relationship, and themselves, or will it be too late?

The Pact is the final book in the 7 Generations series. Other books in the series include:

Book 1: Stone introduces Edwin, who learns of his ancestor Stone, a young Plains Cree man.

Book 2: Scars, the story of the orphan White Cloud, set against the smallpox epidemic of 1870-1871.

Book 3: Ends/Begins, the story of Edwin’s father, and the residential school saga.

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$13.95

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7 Generations: A Plains Cree Saga
Artists:
Format: Paperback
Grade Levels: 7; 8; 9; 10; 11; 12;

The 7 Generations series is available in one book, and the illustrations are in vivid colour. 7 Generations: A Plains Cree Saga includes the four graphic novels: Stone, Scars, Ends/Begins, and The Pact.

Edwin is facing an uncertain future. Only by learning about his family's past—as warriors, survivors of a smallpox epidemic, casualties of a residential school—will he be able to face the present and embrace the future.

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$34.00

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A Girl Called Echo, Vol 1: Pemmican Wars
Artists:
Format: Paperback
Text Content Territories: Indigenous Canadian; M├ętis;
Grade Levels: 7; 8; 9; 10; 11; 12;

Echo Desjardins, a 13-year-old Métis girl adjusting to a new home and school, is struggling with loneliness while separated from her mother. Then an ordinary day in Mr. Bee’s history class turns extraordinary, and Echo’s life will never be the same. During Mr. Bee’s lecture, Echo finds herself transported to another time and place—a bison hunt on the Saskatchewan prairie—and back again to the present. In the following weeks, Echo slips back and forth in time. She visits a Métis camp, travels the old fur-trade routes, and experiences the perilous and bygone era of the Pemmican Wars.

Educator & Series Information
Pemmican Wars is the first graphic novel in the A Girl Called Echo series.

The Canadian Indigenous Books for School list recommends this for Grades 5-12 for these subject areas: Arts Education, English Language Arts, Social Studies.

Additional Information
48 pages | 6.50" x 10.00"

 

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$18.95

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A Girl Called Echo, Vol 2: Red River Resistance
Artists:
Format: Paperback
Text Content Territories: Indigenous Canadian; M├ętis;
Grade Levels: 5; 6; 7; 8; 9; 10; 11; 12;

Echo Desjardins is adjusting to her new home, finding friends, and learning about Métis history. She just can’t stop slipping back and forth in time. One ordinary afternoon in class, Echo finds herself transported to the banks of the Red River in the summer of 1869. All is not well in the territory as Canadian surveyors have arrived to change the face of territory, and Métis families, who have lived there for generations, are losing access to their land. As the Resistance takes hold, Echo fears for her friends and the future of her people in the Red River Valley.

Educator & Series Information
Recommended for grades 5 to 9.

Red River Resistance is volume two in the graphic novel series, A Girl Called Echo, by Katherena Vermette.

Recommended in the Canadian Indigenous Books for Schools 2019-2020 resource list as being useful for grades 5-12 with regard to these subjects: English Language Arts, Art Education, Social Studies.

Additional Information
47 pages | 6.50" x 10.00"

 

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$18.95

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A Tale of Two Shamans: A Haida Manga
Format: Hardcover
Text Content Territories: Indigenous Canadian; First Nations; Haida;
Grade Levels: 9; 10; 11; University/College;

The brilliant follow-up to War of Blink and RED: A Haida Manga — another stunningly inventive retelling of an ancient Haida tale.

Notes on a Tale of Two Shamans - ga Sraagaa sdang from the author: 

"The work that you are about to read is old, much older than any of us still living. It is probably older than anything one could even call Canadian. It precedes us all. Obviously I am not the primary creator of such a narrative, but as a Haida citizen, it is an ancestral experience. The strength of owning a thing is often expressed as a right to share it. In this retelling we the illustrators, editors, linguists, curators and indeed the community of living Haidas and friend invite you to join with us. Come as a respected guest. Sit at the table and be nourished by our living culture. This story is a blend of accounts recorded at the turn of the nineteenth century in three of the once numerous dialects of the Haida language. I have combined elements from these accounts into a newly constructed whole. Be cautioned that these images are interpretations informed by my own cultural composition and life experiences. This is a contemporary rendering of a worldview first expressed in different times and probably for different reasons. I am not stepping forward to join that dais filled with authorities claiming to represent those distant times. I am a Haida whose life experiences are probably very similar to [that of] your own. In many respects that greater distance between the first tellers of ga Sraagaa sdang and ourselves, makes us both readers. The first part of my telling of ga Sraagaa sdang comes from Sk’a.aaws. This is an ancient town site located along the eastern border of a forested region called Duu Guusd. Duu Guusd is part of Haida Gwaii, an archipelago still held until recently in its colonial embrace as the Queen Charlotte Islands. The other old source of telling is Skedans. This old town is located in the Gwaii Haanas Haida Heritage Site, an area also currently reserved as a Canadian National Park. I have restrained from writing an extensive opinion, instead limiting my retelling to a brief text and illustrations. This should suffice to give the engaged reader a hint of the amazing concepts which ripple through this shamanic tale and remain a substantial element of that dynamic living society of indigenous peoples called Haida." - Michael Nicoll Yahgulanaas

Reviews
“This Haida manga intriguingly blends graphic storytelling with a fine art sensibility… Yahgulanaas communicates via an arresting series of images evoking the traditional visual arts of the Haida people.” —Publisher’s Weekly

Educator Information
Recommended for ages 14+ 

May contain mature content.

Additional Information
72 pages | 7.00" x 8.50" 

 

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$24.95

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Betty: The Helen Betty Osborne Story
Artists:
Format: Paperback
Text Content Territories: Indigenous Canadian; First Nations; Cree (Nehiyawak);

Helen Betty Osborne, known as Betty to her closest friends and family, dreamed of becoming a teacher. She left her home to attend residential school and high school in a small town in Manitoba. On November 13, 1971, Betty was abducted and brutally murdered by four young men. Initially met with silence and indifference, her tragic murder resonates loudly today. Betty represents one of almost 1,200 Indigenous women in Canada who have been murdered or gone missing.

This book is a true account. Content may be disturbing to some readers.

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$16.00

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Carpe Fin: A Haida Manga
Format: Hardcover
Text Content Territories: Indigenous Canadian; First Nations; Haida;
Grade Levels: 11; 12; University/College;

“The ragged edges of the temperate rainforest reach far out onto an island in the western seas. It is a place where one chooses to go ahead or turn back…” 

In a prequel to the award-winning Red: A Haida Manga, acclaimed artist Michael Nicoll Yahgulanaas blends Asian manhwa/manga with the Haida artistic and oral tradition in another stunning hand-painted volume. 

In a small near-future community perched between the ocean and the northern temperate rainforest, a series of disasters is taking a heavy toll. It is early fall and a fuel spill has contaminated the marine foods the village was preparing to harvest. As food supplies dwindle, a small group decides to make a late-season expedition to search for sea lions. Surprised by a ferocious storm, they abandon one man, Carpe, on an isolated rock at sea. After ten days they are finally able to return, but he has vanished. The story follows Carpe’s encounters with the Lord of the Rock, who demands retribution for Carpe’s role in the hunt, and Carpe’s fate in the half-life between human and animal, life and death.

Additional Information
120 pages | 10.00" x 10.00" | 100 colour illustrations

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$29.95

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Dakw├Ąk├úda Warriors
Format: Paperback
Text Content Territories: Indigenous Canadian; First Nations; Tahltan (Nahanni);
Grade Levels: 3; 4; 5; 6; 7; 8; 9; 10; 11;

Saving the earth from evil pioneers and cyborg sasquatches.

Ts’ür’i and Aghay are the Dakwäkãda Warriors protecting Nän from their nemesis Cyber Nà’─» and Space Kwäday Dän. Flying in their spaceship, can they prevent the Sha being stolen from Cyber Nà’─» and Space Kwäday Dän?!

As a young person growing up in Haines Junction YT, artist Cole Pauls performed in a traditional song and dance group called the Dakwäkãda Dancers. During that time, Pauls encountered the ancestral language of Southern Tutchone. Driven by a desire to help revitalize the language, he created Dakwäkãda Warriors, a bilingual comic about two earth protectors saving the world from evil pioneers and cyborg sasquatches.

Pauls’ Elders supported him throughout the creation process by offering consultation and translation. The resulting work is a whimsical young adult graphic novel that offers an accessible allegory of colonialism. Dakwäkãda Warriors also includes a behind-the-scenes view into the making of the comic and a full-colour insert featuring character illustrations by guest Indigenous Canadian artists.

Reviews
From the publisher, an interview with Cole Pauls: 

1. Why did you decide to create this comic? 
I wanted to create a sense of identity and strength for the youth from my hometown and the Yukon. To be portrayed in a heroic but also realistic way, where culture is power and the community is stronger because of that. I made Dakwäkãda Warriors to keep Southern Tutchone language and culture alive.

2. What do you hope your work will bring to the Canadian comics canon?
A proper portrayal of Yukon Indigenous culture, we don't live in igloos, ya know!! I want to show the world what Southern Tutchone culture really is and how strong Indigenous culture can be when properly portrayed by someone who lives and practices it.

Educator Information
Recommended Ages: 8 to 16

Language revitalization in an allegory of colonialization.
Artist Cole Pauls wanted to reclaim the Southern Tutchone language he had learned as a youth while performing in a traditional song and dance group. So, he created a comic about two Earth Protectors saving the Earth from evil pioneers and cyborg sasquatches. But he also went to his elders and asked them to translate his comic into the two dialects of Southern Tutchone. The resulting work is an allegory of colonialization done in an accessible format, a whimsical young adult graphic novel which helps to revitalize language. Pauls includes a "making of" postscript to give context to the project, and invites guest Indigenous Canadian artists to provide "pin-ups" of his characters.

Additional Information
112 pages | 6.50" x 10.00" | 112 illustrations

 

Authentic Canadian Content
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Authentic Indigenous Artwork
$20.00

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Direct Action Gets the Goods: A Graphic History of the Strike in Canada
Format: Paperback
Grade Levels: 12; University/College;

Art has always played a significant role in the history of the labour movement. Songs, stories, poems, pamphlets, and comics, have inspired workers to take action against greedy bosses and helped shape ideas of a more equal world. They also help fan the flames of discontent. Radical social change doesn’t come without radical art. It would be impossible to think about labour unrest without its iconic songs like “Solidarity Forever” or its cartoons like Ernest Riebe’s creation, Mr. Block. 

In this vein, The Graphic History Collective has created an illustrated chronicle of the strike—the organized withdrawal of labour power—in Canada. For centuries, workers in Canada—Indigenous and non-Indigenous, union and non-union, men and women—have used the strike as a powerful tool, not just for better wages, but also for growing working-class power. This lively comic book will inspire new generations to learn more about labour and working-class history and the power of solidarity.

Reviews
"There are so many exciting and vitally important stories from the history of social movements, and the most engaging way to tell those stories is through art, in its various forms.  The Graphic History Collective is brilliantly doing just that." - David Rovics, singer, songwriter, activists 

"The Graphic History Collective shows us that art can inspire hope for radical social change" - Noam Chomsky

"Brilliant in narrative power and artistic expression, Direct Action Gets the Goods offers more proof of the Graphic History Collective's prowess with the graphic form. Magnificent!" - Paul Buhle 

"Direct Action Gets the Goods is a brilliant and essential resource. Through well-researched history and powerful graphic art, it shows how the strike is key to revolutionary unionism and social movement solidarity. This book will inspire future generations to fight and win against bosses and capitalism." – Harsha Walia, community organizer and author of Undoing Border Imperialism

Educator Information
The Graphic History Collective is made up of activists, artists, writers, and researchers passionate about comics, history, and social change.  They produce alternative histories - people's histories - in an accessible format to help people understand the historical roots of contemporary social issues. 

Additional Information
64 pages | 8.50" x 11.00" | 80 illustrations

Authenticity and Content Note: This work contains contributions from Gord Hill, a member of the Kwakwaka'wakw Nation.  Indigenous content and perspectives, therefore, may be included but are not the sole focus of the work.

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$14.95

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Fire Starters
Artists:
Format: Paperback
Text Content Territories: Indigenous Canadian; First Nations;
Grade Levels: 6; 7; 8; 9;

Looking for a little mischief after finding an old flare gun, Ron and Ben suddenly find themselves in trouble when the local gas bar on Agamiing Reserve goes up in flames, and they are wrongly accused of arson by the sheriff’s son. As the investigation goes forward, community attitudes are revealed, and the truth slowly comes to light.

Reviews
"Storm's story is a very thoughtful look at the two systems of justice. The Native boys in the White system, being interrogated is a stark contrast to what the White boy experiences in the Native system of justice. It points to the path Storm is looking for: how a community can heal, rather than how it could punish and inflict more harm on people... I recommend Jen Storm's Fire Starters. There's a lot to study, think about, and of course, talk about." -- Debbie Reese, American Indians in Children's Literature

"Fire Starters reminds readers of the many perspectives involved in reconciliation. The story moves beyond Ron and Ben’s experiences as aboriginal teens poorly treated by a white community to include the experiences of law enforcement officers, family members, and even the arsonists themselves. Complementing the fast-paced plot, Henderson’s artwork is drawn from a wide variety of perspectives, and Yaciuk’s moody colours suit the rising tension experienced by all characters. A cautionary tale about the consequences of prejudice and racism, Fire Starters is a valuable addition to conversations about the importance of reconciliation and the power of the truth." -- Roseanne Gauthier, National Reading Campaign 

Educator & Series Information
Recommended Grades: 6-9

Fire Starters is one book in The Debwe Series.  This series features exceptional Indigenous writing from across Canada.

 
Additional Information
56 pages | 6.00" x 10.00" | Graphic Novel
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$18.95

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If I Go Missing
Format: Hardcover
Text Content Territories: Indigenous Canadian; First Nations; Anishinaabeg; Ojibway;
Grade Levels: 7; 8; 9; 10; 11; 12;

Combining graphic fiction and non-fiction, this young adult graphic novel serves as a window into one of the unique dangers of being an Indigenous teen in Canada today. The text of the book is derived from excerpts of a letter written to the Winnipeg Chief of Police by fourteen-year-old Brianna Jonnie — a letter that went viral and was also the basis of a documentary film. In her letter, Jonnie calls out the authorities for neglecting to immediately investigate missing Indigenous people and urges them to "not treat me as the Indigenous person I am proud to be," if she were to be reported missing.

Indigenous artist Neal Shannacappo provides the artwork for the book. Through his illustrations he imagines a situation in which a young Indigenous woman does disappear, portraying the reaction of her community, her friends, the police and media.

An author's note at the end of the book provides context for young readers about Missing and Murdered Indigenous Women and Girls in Canada.

Educator Information
Recommended Ages: 12 - 18. 

Additional Information
64 pages | 8.50" x 9.50" | 100+ 2-colour illustrations

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Authentic Indigenous Artwork
$24.95

Coming Soon
Louis Riel A Comic Strip Biography
Authors:
Format: Paperback
Text Content Territories: Indigenous Canadian; M├ętis;

The bestselling graphic novel on Canada's infamous folk hero is back in a paperback edition with a new cover by Chester Brown. Louis Riel: A Comic-Strip Biography is the book that launched the graphic novel medium in Canada. Brown received the Harvey Award for best writing and best graphic novel, and made several Best of the Year lists. Publishers Weekly hailed the book as a "contender for best graphic novel ever."

Chester Brown reinvents the comic book medium to create a historical biography on Louis Riel. He crafts a compelling and meticulous retelling of the charismatic 19th-century M├ętis leader, regarded by some as a martyr and by others as a treacherous murderer. Canadian history at its best, Louis Riel: A Comic-Strip Biography is entertaining and accessible for all ages.

"If you love to read a gripping story, if you are awed by the talent of an artist, then look no further: Chester Brown's Louis Riel is comix history in the making, and with it, history never looked so good." -Globe and Mail

Ages 14 and up

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$19.95

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