Indigenous Myths and Legends
Geraldine Gunanoot , 1998
A collection of six stories, histories, and memories of four elders of the Kitselas Canyon, land of the Tsimshian peoples of the Northwest Coast. [Some examples include memories of picking berries and smoking salmon, or the legends of Dam lax aam and Chief G'thawn and the wolves.
(74 p., approx. 60 left with NO reprint expected)
Michelle Lomberg , 2010
Learn about the traditional ways of Canada's Aboriginal Peoples in this informative series for young readers. Music and dance, art, tools, transportation, clothing, and housing are some of the topics covered in the Aboriginal Peoples of Canada series.
7 titles in all in this series.
C.J. Taylor , 2006
B.C. Science Supplementary Resource: Gr.3-Earth and Life Science
The heavens, the sun, the stars, and the moon, have inspired, intrigued, and mystified us from the beginning of time. We've always searched for ways to comprehend their beauty and their meaning. Mohawk artist and author C. J. Taylor has drawn from First Nations legends from across North America to present a fascinating collection of stories inspired by the night skies.
The legends, Salish, Onondaga, Blackfoot, Netsilik (Inuit), Wasco, Ojibwa, and Cherokee, are by turns funny, beautiful, tragic, and frightening, but each one is infused with a sense of awe.
From the Ojibwa legend of the great hunter, White Hawk, and his love for an unattainable maiden, or the Salish legend of a magical lake that is threatened when human beings turn greedy and lose their respect for its gifts and for the sunâ€™s power, to the delightful Cherokee legend of Grandmother Spider who brought light to the world, this is an important collection that is enhanced by Taylorâ€™s glorious paintings.
Leo Yerxa , 2006
A visionary and beautiful book, "Ancient Thunder" celebrates wild horses and the natural world in which they lived in harmony. Using an extraordinary technique, artist of Ojibwa ancestry, Leo Yerxa makes paper look like leather, so that his illustrations seem to be painted on leather shirts. Each shirt is accompanied by a rich, wild song of praise for the wild horses that came to play such an important role in the lives of the First Peoples. Years in the making, the book is truly a work of art, one that reflects Yerxa''s sense of nature and the place of native people within it.
In 2008, Ancient Thunder was the award recipient for First Nation Communities Read.
John Friesen , 2009
Before the printing press dominated the world of formal communication, families, communities, and cultures all over the world relied solely on the oral tradition to pass along revered knowledge. Much valued cultural content, particularly spiritual or historical beliefs and practices, was transmitted through legends or stories shared between generations. This responsibility rested with formally acknowledged storytellers, as well as elders.This practice was very much the case with Aboriginal tribes in North America.
This collection of North American Aboriginal cultural stories represents only a small component of the vast store of oral literatures, and underscores the magnitude of its scope across various Native American and Canadian Indian tribes.
Legends contained in this volume have been drawn from a diverse store of written sources, documented in the bibliography. Through the years that we have been associated with the University of Calgary, we have visited most of the traditional tribal communities represented in this book. We have taught university courses in several First Nations communities including Blackfoot, Chipewyan, Plains Cree, Woodland Cree, Stoney (Nakoda Sioux), and Tsuu T'ina (Sarcee).
From time immemorial, Native Americans of all backgrounds have been oriented to the arts, which comprised an important cultural component. Each particular art form reflected the cultural makeup and physical resources of the region in which a tribe lived. Plains Indians, for example, relied heavily on rock art, consisting of paintings and carvings done on rocks. This art form is recognizable today in the form of pictographs and petroglyphs. A full explanation of the nature and function of this art form is offered in Appendix C.
The essence of each traditional Indigenous story contained in this volume has been preserved, although individual legends have in most cases been abbreviated from their original sources, and written in language that may readily be understood by and shared with children. It is also our hope that through this means would be students of Indigenous ways may learn a great deal about Aboriginal culture and philosophy and, hopefully, enhance their respect for AmerIndian ways
Leo Sawicki , 1995
BY THE AUTHOR OF THE VERY SUCCESSFUL Anytime Stories, this new collection of short stories is drawn from many tribes, customs and ceremonies of the North American indian. The purpose of these stories is to heighten our consciousness of how they are told; to do this Leo Sawicki shows us their origins, their applications, and how audiences might relate to them.
The stories also provide us with objects of symbolism to ignite our imaginations, including an origami orb, a mystic warrior's shield, papier-mâché masks of endangered species, a medicine wheel, reports and observations on plants, and our relationship with the Earth.
David Bouchard , 2012
There are as many Creation stories as there are First Nations on Turtle Island. The story of a Great Flood is known to indigenous people in every corner of the world. But what about the Moon? Who made her? What was her intended purpose?
Beneath Raven Moon is an enchanting tale of the creation of Grandmother Moon and of the first time she wove her spell on a young, unsuspecting couple.
The story unfolds in the territory of the Kwakwaka’wakw people – now also known as British Columbia’s Inside Passage – where Raven and Eagle join together in good-natured conspiracy to foster a heart-warming romance.
Follow the magical vision of Métis author David Bouchard and Kwakwaka’wakw artist Andy Everson to learn why Raven found it necessary to bless us with the heavenly sphere that guides we two-leggeds and illuminates our night sky. And enjoy the enchantment of the music and flute of Mary Youngblood as you sit in wonder ... Beneath Raven Moon.
Kim Doner , 1999
The Bearpaw children learn of a white buffalo calf that is born on a ranch far from their home. The family leaves on a spontaneous pilgrimage in their camper to take gifts to the newborn. The children had grown up with the story of the White Buffalo Calf Woman, the powerful spirit who saved a starving tribe in ancient times, and had been reborn in the form of a white buffalo. But the white calf is protected by its large mother. What will happen to the children in the moonlight inside the corral? A contemporary story that resonates with young readers of all backgrounds is based on an oral story passed down in the Bearpaw family. The White Buffalo Calf Woman, the powerful spirit who had saved a starving tribe in ancient times, had been reborn in the form of a white buffalo calf. Now that story seems to be coming true for the Bearpaw children. The book includes the retelling of the original legend of the White Buffalo Calf Woman as well as step-by-step instructions with illustrations showing how to make your own dreamcatcher.
Donna Joe , 2003
Ch'askin is the great thunderbird whose appearance heralds rumbling thunder, a darkening sky and flashes of lightning as well as good luck for the people of the Sechelt Nation.
This compelling book recounts how this enormous and awe-inspiring bird who looks like a golden eagle except much, much larger â€” aided and protected the members of the Sechelt villages for many years in many ways. From helping Chief Spelmu'lh, the father of the Sechelt Nation, build both the first longhouse and the many villages of his people, to delivering goats and grizzly bears for the hungry people to eat and creating islands from pebbles for the tired Sechelt hunters to rest, the story of Ch'askin is a story of protection, friendship and respect for fellow living beings.
Emmett Garcia , 2006
B.C. Science Supplementary Resource: Gr.3-Earth and Life Science
According to Santa Ana Pueblo legend, the animals' spirit Leader created the sun, moon, and stars by using woven yucca mats and hot coals. He selected certain animals to climb from their homes in the Third World up to the Fourth World. The Squirrel, the Rabbit, and the Badger were all allowed to go. The Coyote, however, was forbidden to accompany them because he was always causing trouble and stealing food from the others.
Regardless of what he was told, Coyote refused to stay in the Third World. He found a hiding place and waited for a chance to follow the animals to the Fourth World. When the other animals discovered Coyote, they summoned the Leader to the Fourth World to deal with him. Coyote's punishment is a lesson in what happens to animals, or people, when they refuse to obey instructions.
Writing for the younger reader, Emmett "Shkeme" Garcia, a member of the Santa Ana tribe, shares his Pueblo's story of the beginnings of the stars and constellations. Victoria Pringle's illustrations provide visual elements that enhance the action of the story.