Art1 - 15 of 27 Results
Heather Ball , 2007
The newest addition to the acclaimed Women's Hall of Fame Series profiles ten phenomenal women with a passion for art. Political, beautiful and always springing from the heart, the paintings and sculptures of these creative trailblazers have made the world a better place, and encouraged generations of female artists to do the same. Discover the lives of women artists from the 16th century to the present day, such as the early feminist Artemisia Gentileschi, the adventurous Emily Carr, the flamboyant Frida Kahlo and the brilliant Georgia O'Keefe. These biographies are written in an accessible, engaging and entertaining style that will inspire young readers to have the courage to explore their own creative sides.
Scott Sutton , 2008
This book is in a class by itself. Featured are dozens of full-color photos of both Indian and in-Indian made beadwork from museums, collections and today's marketplace. Instructions are accompanied by large, highly detailed, step-by-step color photos and illustrations. Four styles of beadwork are covered: loom, two needle applique, lazy stitch, and the gourd (peyote) stitch. Presenting both basic and advanced techniques, the author also includes detailed instructions on how to make and bead moccasins.
David Bouchard , 2012
There are as many Creation stories as there are First Nations on Turtle Island. The story of a Great Flood is known to indigenous people in every corner of the world. But what about the Moon? Who made her? What was her intended purpose?
Beneath Raven Moon is an enchanting tale of the creation of Grandmother Moon and of the first time she wove her spell on a young, unsuspecting couple.
The story unfolds in the territory of the Kwakwaka’wakw people – now also known as British Columbia’s Inside Passage – where Raven and Eagle join together in good-natured conspiracy to foster a heart-warming romance.
Follow the magical vision of Métis author David Bouchard and Kwakwaka’wakw artist Andy Everson to learn why Raven found it necessary to bless us with the heavenly sphere that guides we two-leggeds and illuminates our night sky. And enjoy the enchantment of the music and flute of Mary Youngblood as you sit in wonder ... Beneath Raven Moon.
Northwest Coast Button Blanket Activity and Colouring Book
Button blankets have been in use for a very long time and are part of the regalia of many Northwest Coast First Nations people including the Haida, Nisga’a, Tsimshian, Tahltan and Tlingit peoples. The designs or crests on the button blanket identify the dancer’s or wearers family history, family crest, lineage, clans, rank and social status. The Northwest Coast First Nations people first created them after contact with fur traders, explorers and the Hudson’s Bay. Button blankets are worn to a variety of ceremonies including potlatches, pole raisings, a naming, memorials, feasts, weddings, graduations, public performances and dances. This book was designed to allow you to make a miniature version of a button blanket.
David R. Montgomery , 2009
Crafts and Skills of Native Americans is a fascinating, practical guide to the skills that have made Native Americans famous worldwide as artisans and craftsmen. Readers can replicate traditional Native American living by trying a hand at brain tanning, identifying animal tracks, or constructing a horse saddle. Readers can even make distinctive Native American beaded jewelry, a variety of moccasins, headdresses, and gourd rattles. Native American style is unique and popular, especially among young people, historians, and those with a special interest in the American West
Cath Oberholtzer , 2012
An investigation into the symbol of Native heritage.
In Ojibwe (or Chippewa in the United States) culture a dream catcher is a hand-crafted willow hoop with woven netting that is decorated with sacred and personal items such as feathers and beads. The Native American tradition of making dream catchers--hoops hung by the Ojibwe on their children's cradleboards to "catch" bad dreams--is rich in history and tradition.
Although the exact genesis of this intriguing artifact is unknown, legend has it that a medicine woman forms a circle from a willow branch and, with sinew, borrows the pattern from a spider, weaves a web, and hangs it over the bed of a sick child who recovers by morning. In some versions dream catchers catch good dreams and let bad ones through, while others catch bad dreams and let good dreams through. This legend accompanies dream catchers offered for sale across North America and beyond.
These themes, among others, are carried throughout this book which explores the appropriation of dream catchers by Native Americans of different nations, as well as the New Age movement. Dream Catchers also discusses the blending of two religious philosophies whereby Native and Christian icons are mixed.
More than 40 color photographs feature contemporary dream catchers and artifacts with informative captions that identify and comment on the different patterns, their significance and history. Dream Catchers features the work of Native artist Nick Huard who creates dream catchers in his studio in Kahnawake outside of Montreal.
Waubgeshig Rice , 2000
Drum Making: A Guide for the Anishinaabe Hand Drum
The drum is the heartbeat of Mother Earth. It has been a cornerstone of First Nation culture since time immemorial.This guidebook explores the roots of the Anishinaabe hand drum and leads you through one contemporary method used to make your own hand drum.
Findley Gerald L , 2005
Fingerweaving has been practiced by Native Americans for centuries. It requires no sophisticated loom, only the nimble hands of the weaver. Each technique is presented in detail. The instructions are simple and clearly written, and each step is illustrated with color drawings that make the different threads easy to identify. Includes a color photo of each finished weaving. The approach used here makes this craft much more accessible to amateurs who may have wanted to try it but may have been turned off by the complexity of other books on the subject. Several variations are given for chevron stitch, lightning pattern, arrowhead pattern, bead accents, and fringe.
Michael Nicoll Yahgulanaas , 2008
The hummingbird parable, with origins in the Quechuan people of South America, has become a talisman for environmentalists and activists who are committed to making meaningful change in the world. In this inspiring story, the determined hummingbird does everything she can to put out a raging fire that threatens her forest home. The hummingbirdósymbol of wisdom and courageódemonstrates that doing something is better than doing nothing at all.The parable is embraced by two of the worldís most influential leaders: Wangari Maathai, the Nobel Peace Prize winner from Kenya who launched the Green Belt Movement (which you can read about here), and His Holiness the Dalai Lama, who has spoken widely about his commitment to preserving the environment. This courageous little book features artwork by internationally renowned artist Michael Nicoll Yahgulanaas. His distinct and lively Haida Manga style engages perfectly with this inspirational story that encourages every individual to act on behalf of the worldís limited and precious resources.
George Littlechild , 2003
George Littlechild: The Spirit Giggles Within is a stunning retrospective of a career that has spanned nearly four decades. Featuring more than 150 of the Plains Cree artist's mixed-media works, this sumptuous collection showcases the bold swaths of colour and subtle textures of Littlechild's work. Littlechild has never shied away from political or social themes. His paintings blaze with strong emotions ranging from anger to compassion, humour to spiritualism. Fully embracing his Plains Cree heritage, he combines traditional Cree elements like horses and transformative or iconic creatures with his own family and personal symbols in a unique approach. George Littlechild: The Spirit Giggles Within shows the evolution of an artist from his earliest works to the present day, including hints of future directions and themes. An insightful foreword by artist and curator Ryan Rice, a Mohawk from the Kahnawake First Nation in Quebec, and Littlechild's reflections on each piece build a broad understanding of Littlechild's work, his life and his views on the role of art within all cultures.
David Bouchard , 2008
David Bouchard dives into his own life and identity in this beautifully illustrated book.
Personal totems are often described as animal spirit guardians. Totems are passed down through family lines. The beautiful prose describes an amazing personal journey of discovery, finally, inviting the reader to do the same.
Gerald McMaster , 2010
A gorgeous retrospective on the transformation of Inuit art in the 20th century, mirroring the vast and poignant cultural changes in the North. In response to a rapidly changing Arctic environment, Inuit have had to cope with the transition from a traditional lifestyle to the disturbing realities of globalization and climate change. Inuit art in the latter half of the 20th century reflects the reciprocal stimulus of contact with Euro-Canadians and embodies the evolution of a modern Inuit aesthetic that springs from an ancient cultural context, creating an exciting new hybridized art form. Inuit Modern: Art from the Samuel and Esther Sarick Collection situates modern Inuit art within a larger framework that reinterprets the Canadian Arctic. Essays by leading Canadian scholars in the field including Ingo Hessel, Robert McGhee, Christine Laloude, Heather Igloliorte, Dorothy Eber and Bernadette Driscoll Engelstad examine the social, political and cultural transformation through the dynamic lens of colonial influence and agency. Inuit Modern also features interviews with David Ruben Piqtoukun and Zacharias Kunuk.
Jim Gilbert , 1999
This reference and instructional manual contains a detailed thoroughly analysed, well-supported comparisons of the four Pacific Northwest First Nations art styles. There are 800 clear, detailed illustrations accompanied by straightforward copy. Topics include design formalise, ovoids, U shapes, S shapes, heads, body parts, and design formation, as well as a step-by-step "How to Draw" section.
This reference and instructional manual contains a detailed, thoroughly analyzed, well-supported comparison of the four Pacific Northwest First Nations art styles. There are 800 clear, detailed illustrations accompanied by straightforward copy. Topics include design formline, ovoids, U shapes, S shapes, heads, body parts, and design formation, as well as a step-by-step "How to Draw" section.