Anthologies1 - 8 of 8 Results
Various Authors , 2012
Foreword by Richard Van Camp
Coming Home features eighteen stories by NWT writers that express the diversity of the region, speaking from many points of view. The foreword is by the renowned storyteller and NWT author Richard Van Camp. Included are stories of teenage angst in small communities; connection with the land; the Giant Mine strike of 1992;
relationships both failed and renewed in Yellowknife; getting lost in the bush; Europeans shipwrecked and saved by Inuit; Inuit taken on board by Europeans; learning from elders and other cultures; a wonky tourism outing; going to jail for breaking a dog bylaw and many more.
With new work from Marcus M. Jackson, Richard Van Camp, Cathy Jewison, Colin Henderson, Rebecca Aylward, Cara Loverock, Shawn McCann, Patti True, Annelies Pool, Jordan Carpenter, Christine Raves, January Go, Jamesie Fournier, Amber-Lee Kolson, Karen McColl, Jessie MacKenzie, Brian Penney
Wilma Mankiller , 2011
In this unique collection, twenty indigenous female leaders-educators, healers, attorneys, artists, elders, and activists-come together to discuss issues facing modern Native communities. Over a period of several years, Wilma Mankiller (1945-2010), first female principal chief of the Cherokee Nation, engaged Native women in conversation about spirituality, traditions and culture, tribal governance, female role models, love, and community. Their common life experiences, patterns of thought, and shared values gave them the freedom to be frank and open and a place of community from which to explore powerful influences on Native life.
Bruce Dawson , 2002
For thousands of years the First Nations and Métis peoples have forged social, economic, historical and artistic relationships with the prairie ecosystem. These relationships, though much influenced by tradition, are not strictly bound by the past: rather, contemporary encounters and interpretations of these relationships between people and prairie are important aspects of living, contemporary cultures.
This collection of essays reflects a desire to hear and share these contemporary stories, as well as new interpretations of past encounters. It represents an attempt to express Aboriginal ties to the land, be they rooted in the spirit, the intellect, the imagination, or simply the day-to-day lifestyle.
Sandra Laronde , 2005
When Sky Woman fell from the upper world through a hole in the sky, earth was born. Since then, as Indigenous women, we have been resourceful, resilient and remarkable in our will to keep falling and moving forward. We fall to better ground because of the shining example of the incandescent lives of those who have gone before us.
This collection of poetry, short stories and visual art honours the legacy of Sky Woman. Nearly 40 writers and visual artists are represented in 22 Indigenous nations across Canada, United States, Mexico, Pacific Islands and Japan, featuring exemplary artists such as Buffy Sainte-Marie, Jeanette Armstrong, Daphne Odjig, and Lee Maracle, among others. This landmark anthology expresses the fierce respect and reverence for those whose names made history and for the millions whose names did not.” From the introduction by Sandra Laronde
Priscilla Settee , 2011
Âhkamêyimowak is a Cree word which embodies the strength that drives women to persevere, flourish, and work for change within their communities. Women are the unsung heroes of their communities, often using minimal resources to challenge oppressive structures and create powerful alternatives in the arts, education, and the workplace.
The stories included here are by women with vision, who inspire and lead those who have lived in their midst. Stories are a means of transmitting vital information from within community as well as to outside communities.
Relations are something fundamental to Indigenous communities the world over. Besides human relationships, there is a bigger set of relationships that keeps some people marginalized and others in positions of power. This book tells the stories of both sets of relationships. Some women tell powerful personal stories and others describe institutional relationships that keep Indigenous women in Canada – along with women generally, people of colour, indigenous peoples and youth around the world – in the margins. In both cases, the clarity of vision that comes from the margins is astounding and compelling.
Alicia Christensen , 2011
In the fifty years since its inception in 1961, the Bison Books imprint at the University of Nebraska Press has published some of the best historical, literary, and original western literature. The Golden West celebrates that continuing mission, bringing together some of the most beloved and iconic stories of the American West. Here, readers will find the classic West: from the adventures of the Corps of Discovery to the trials of the Oregon Trail, from the diverse landscapes of the Great Plains to the rugged Rocky Mountains and the Willamette Valley, from traditional Sioux culture to Buffalo Billâ€™s Wild West Show, and from the cowboys, ranchers, farmers, and mountaineers who often make up our western mythology to their American Indian counterpoints in stories about tribal society, monumental battles, and interaction with white settlers. The Golden West holds something for every readerâ€”fiction, poetry, memoir, folklore, firsthand accounts, and all the shades of gray in between.
George Lalor , 1998
This is a wonderful collection of short stories and legends from the land now known as Manitoba
Patricia Chuchryk , 1996
"From diversity comes strength and wisdom”: this was the guiding principle for selecting the articles in this collection. Because there is no single voice, identity, history, or cultural experience that represents the women of the First Nations, a realistic picture will have many facets. Accordingly, the authors in Women of the First Nations include Native and non-Native scholars, feminists, and activists from across Canada.
Their work examines various aspects of Aboriginal women’s lives from a variety of theoretical and personal perspectives. They discuss standard media representations, as well as historical and current realities. They bring new perspectives to discussions on Aboriginal art, literature, historical, and cultural contributions, and they offer diverse viewpoints on present economic, environmental, and political issues.
This collection counters the marginalization and silencing of First Nations women’s voices and reflects the power, strength, and wisdom inherent in their lives.